Milagros Riera
Reference is made to the Easter floods us with noise and brass bands with their culture of death Milagros Riera Courbet was born in 1819, ie two centuries ago, but his story could be contemporary, no desire to do his biography, there are many writings about him, I wish is to stress the aspects of his life that show the persecution and intolerance of the time, so far and so close. His paintings were banned by scandals, outrageous criticisms were against him, the naked buttocks of the women, so plump, gave scandal, including a woman spinning was unacceptable to the bourgeoisie of the time, perhaps because it represented an exhausted worker slaughter.
This brings the Origin of the World, give his paintings a most beautiful, is the origin of life, is where life appears and joins the channel of the river that draws us to our death, represents the female body part where the woman receives love and returns to a new life. There is nothing more sacred and more beautiful, yet it is a body part to be hidden, as in pictures and statues always have a piece of vine by hand, one leg draped artistic or graceful curve that cover sex .
This picture was hidden for more than a century, its owner had it covered with a veil and taught to his minions, then passed from hand to hand, always covered with other paintings. In recent years he psychologist Lacan, his heirs donated it to the French State today can be seen in the Musée d'Orsay in Paris, visits are not banned or even the infants. We could believe that the persecution of the female body represented there was over, not, a facebokero recently dared to put on your profile reproducing the artwork and was immediately deleted by administrators who also was fired, continued repression. Courbet had socialist ideas in the last years of his life he joined the Paris Commune, in this revolutionary movement was born to prevent the invasion of France Teutonic by the enemy and was a model of popular resistance, the people of Paris was heroic in its struggle against those who wanted to sell his country and his claim for social justice. During these events the Vendome column was destroyed, was built with the steel of cannons won in the wars of Napoleon and was for commoners a symbol of the cruel imperialist wars of that time. Courbet was accused of being the instigator of the destruction and when the Commune was defeated by the fierce repression of Versailles, our artist was convicted of so great shame and took refuge in Switzerland, where he died in exile, like many exiles all times. We these days celebrating Easter, it is between noise and brass bands parade to commemorate events which never took place. John of Gamala, third in a dynasty fought against the Roman Empire decided to take the Temple of Jerusalem accompanied by his brothers and some rebels would end the foreign occupation, had promised assistance that would lower their god, the angels help, it was not, the angels were not the planes of NATO and the rebellion failed, he was arrested, convicted and executed as a rebel, no one knows exactly how. These events are now commemorated as the Passion and death of a god Resurrection nothing, of course, another invention. Our authorities, civil and religious processions accompanying these serious faces, ashamed, belong to a state religion and should not accompany those who make a public display of religion, nothing matters and grievances of the laity are discarded, even more, the atheists are prohibited from making a modest parade and even leads them to the courts, which are known as the secular arm of the Church. The famous steps are capable of giving a shock to fear, bleeding hearts, crying women, blood streaming from wounds and instruments of torture, no need to terrify the believer, their hoods claims accompany funeral processions to the beat of notes also accompany these acts with people who flagellate themselves, are wound with nails, crucified and knees while dragging crosses they hit the chest, is the feast of the sado-masochistic. We are for life and not for the street parade of death, so our work opposing the Origins of the World, our own, not an imaginary world filled with peace and rest, who do not want more to suffer on behalf of a God who made us born sinners and wicked enough, to keep his bloody images, we are left with Courbet. Avignon A few days ago was destroyed in an image of Christ, was part of an exhibition and had the bad luck of not being liked by Catholic fundamentalists in the city, after parade asking to withdraw the work from the exhibition, the show was broken into and the work they did not like was destroyed at Like one that was certainly not to their liking. Christians have always been willing to destroy works of art, statues maul sexes, Martel faces of ancient gods burn pictures, books and many who felt that they were a threat to the theocratic state, and still, do not let us seize the few hard-won freedoms, if they can march for a week, ask us a secular state where we can meet in the streets to make clear that do not communicate with millstones, to which we have always been required. against obscurantism and oppression art is a weapon of war, that shows Courbet., The painter of the Commune. Milagros Riera http://ateosyrepublicanos.blogspot.com/
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